"How do you write like you're running out of time..." Hamilton, Lin Manuel Miranda

Books

Danielle's monograph, Theatres of Value: Buying and Selling Shakespeare in Nineteenth-Century New York City, examines the ways the businesspeople drafted value in conjunction with Shakespeare over the course of the nineteenth century.  The book can be ordered from SUNY Press here.


Danielle is the co-editor of Early Modern Liveness: Mediating Presence in Text, Stage, and Screen (2023, Bloomsbury Arden Shakespeare).

Articles


Burning it Down: Theatre Fires, Collective Trauma Memory, and the TikTok Ban. Journal of American Drama and Theatre. 36.2: June 2024.


Shakespeare is Not Pie: Contingencies of Labour, Marginalisation, and Early Modern Studies. Shakespeare. Published online March, 2024 (print forthcoming).


Yassified Shakespeare. Co-authored with Trevor Boffone. Borrowers and Lenders. 15.1: Fall 2023.


Aggressively Millennial: A Dialogue on & Juliet, Co-authored with Trevor Boffone. Studies in Musical Theatre. 17.1: April 2023.


“Everyone in Illyria is Bi you Absolute Cowards”: Shakespeare TikTok, Twelfth Night, and the Search for a Queer Utopia. Co-authored with Trevor Boffone. Shakespeare Bulletin. 40.4: Winter, 2022.


“What Comes Next? Graduate Education and Contingent Labor in Theatre and Performance Studies.”  co-authored with Heather Nathans, Jonathan Lee Chambers, Beth Osborne, Eero Laine, Diana Looser, Katherine Lieder, and Kristen Wright. Theatre Topics. July, 2019. 


“One Summer; Three Hamlets: A Practical Guide to Flow Fight Direction.”  Theatre Topics. March, 2018.

“Sifting and Sorting: An Introduction to Database Methods and Pedagogy using Humanist Texts.” Early Modern Studies Journal. V. 7: 2021.

Book Chapters


“Yassified Shakespeare: The Case for TikTok as Applied Theatre.” Co-authored with Trevor Boffone. Eds. Lisa Brenner and Evelyn Diaz Cruz. Applied Theatre and Gender Justice. Routledge, forthcoming.


“The Theatre and Performance Studies Academic Job Market.” Co-authored with Noe Montez. Critical University Studies: Theatre, Dance, and Performance Studies, Eds. Ariel Nereson and Noe Montez. Forthcoming.


“ShaxDrag: Campified Performance of Shakespeare-the-author on Broadway.” Co-authored with Trevor Boffone. Shakespeare on Broadway, Eds. Louise Geddes and Nora Williams. Forthcoming.


“Stage Combats: Expectations, Illusions, and Quiescent Danger.” Book Section Introduction.  Eds. Eero Laine and Broderick Chow, Sports Plays.  Routledge. 2021.

 

“The Haunted Network: Shakespeare’s Digital Ghost.” Book Chapter, The Shakespeare User. Eds. Louise Geddes and Valerie Fazel. Palgrave MacMillan. 2017.

 

“Off With His Head! …So much for Hewlett/Brown.”  Book Chapter, The Bear Stage: Shaping Shakespeare for Performance. Eds. Catherine Loomis and Sid Ray. Fairleigh Dickenson University Press. 2015.

Reviews

The Ethical Implications of Shakespeare in Performance and Appropriation. Shakespeare Bulletin. Forthcoming.

Antiracist Shakespeare. Theatre History Studies. Forthcoming.

Fat Ham at the Huntington. Shakespeare Bulletin. 41.4 Winter, 2023. 629-633.  

MIT Shakespeare. Early Modern Digital Review. December 2019.

Extramural Shakespeare and Shakespeare’s Imaginary Constitutions. Theatre Survey: 53.2 September, 2012. 331-334.

Podcasts

Traumaturgy Finding your Entry Point: Theatre and the Humanities. July 8, 2024.

Shakespeare Anyone? Mini: Staging Violence in Shakespeare. March 13, 2024.

Protest Too Much. Interlude 21: Queerest Play. June 15, 2023.

Shakespeare Anyone? Bonus episode on Yassified Shakespeare. June 7, 2023.